By Leah Rozen
LOS ANGELES (TheWrap.com) - Weddings are a new funerals.
If a film wants to unequivocally stir a pot, display family members and friends tears and groan as they crush over aged grievances and inflict new ones, it seems there's no improved environment than a marriage and a days heading adult to it.
Consider such new films as "Rachel's Wedding," "Bridesmaids" and "Melancholia" (which opens in theaters Nov 11 though is now accessible around video-on-demand). The latest entrance in a weddings as crusade difficulty is "Another Happy Day" -- a pretension is apparently caustic -- in that a bride herself has small some-more than a walk-on role.
The categorical actor in this mostly appealing though spasmodic strident play is Lynn (Ellen Barkin), a beleaguered mom of a groom. Her eldest son, Dylan (Michael Nardelli), is removing married and it's all Lynn can do to keep it together as she spends a marriage weekend behind in a suffocating welcome of her dysfunctional family during a stately, waterside home of her relatives (Ellen Burstyn and George Kennedy).
Also there is her adult daughter, Alice (Kate Bosworth), who clearly has had a relapse somewhere along a approach and stays in a frail state, and her whip-smart though uneasy teenage son, Eliot (Ezra Miller), who is only behind from his fourth stay in rehab, that apparently didn't take. Adding to Lynn's romantic misunderstanding is a participation of her clueless ex-husband (Thomas Haden Church) and his critical new mother (Demi Moore).
Altmanesque in a stretch and sensitive opinion toward even a many injured characters, "Happy Day" outlines a mostly earnest entrance for director-writer Sam Levinson, who is a son of executive Barry Levinson. (Robert Altman himself took on a comic possibilities surrounding commitment in 1978's "A Wedding," a obtuse bid in his canon.)
The film belongs to Barkin, who gives a poignant, take-no-prisoners performance. Her Lynn as a lady who, like a impression out of Beckett, feels that she can't go on though knows that she contingency go on. As it becomes ever some-more clear that not all hurts can be mended or damaged bridges repaired, Lynn's face crumples and a atmosphere goes out of her, like a balloon deflating. Then, slowly, she draws herself adult again and manages a unhappy grin because, really, what else can she do?
Of a rest of a garb cast, Miller ("City Island"), who looks like a immature Bob Dylan, is inspiring as a teenage son unfortunate to dull his possess romantic pain by any means necessary. Church is comical as a ex-husband during a detriment about how to repair things, and Moore has a integrate of humorous scenes late in a film when her concerned impression finally unsheathes her claws.
News referensi http://news.yahoo.com/review-another-happy-day-another-weepy-wedding-movie-211828210.html
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7:15 AM Saturday, December 17, 2011